Amuse Animation opens China office

by Skwigly | 31 May 2023

Millimages appoints new Development Manager

by Skwigly | 31 May 2023

Kunda Kids announces ‘Kunda & Friends’ YouTube series

by Skwigly | 23 May 2023

Pink Parrot Media’s ‘Unstable’ saddles up international partners

by Skwigly | 23 May 2023

Magic Light and the BBC announce Tabby McTat, a star-studded animation by Julia Donaldson and Axel Scheffer

by Skwigly | 11 May 2023

Wonderworld.Fun launches with bold new vision for animation

by Skwigly | 10 May 2023

Blue Zoo receives Epic Megagrant in support of MoPo – a revolutionary new way of rapidly creating animated content using VR in Unreal Engine

by Skwigly | 25 Apr 2023

Dandelooo acquires ‘Hungry Bear Tales To The Pole!’ Christmas special

by Skwigly | 14 Apr 2023

WildBrain to acquire House of Cool

by Skwigly | 29 Mar 2023

A+C Studios announce new directorial roster

by Skwigly | 28 Mar 2023

Blue Zoo Animation appoints Nicky Flemming as Executive Producer of Shortform & Advertising

by Skwigly | 09 Mar 2023

Veteran CAA agent Joe Della Rosa joins Aniventure as its Chief Commercial Officer

by Skwigly | 08 Mar 2023

Xilam Animation’s slapstick comedy Karate Sheep launches globally on Netflix

by Skwigly | 01 Mar 2023

Ellipse Animation to present ‘Yakari 2’ at Cartoon Movie 2023

by Skwigly | 28 Feb 2023

‘Vegesaurs’ chomp their way to CBeebies

by Skwigly | 27 Feb 2023

Nexus Studios announces the launch of Nexus Design Studio

by Skwigly | 22 Feb 2023

Dandelooo nets ‘The Super Heroes of Nature’

by Skwigly | 21 Feb 2023

Paper Owl Films gets green light for second series of ‘Happy the Hoglet’

by Skwigly | 14 Feb 2023